Lucas Cantú (b. 1982, Monterrey). Lives and works in CDMX. Trained as an architect, he uses sculpture, installation and experimental architecture to develop projects that are firmly grounded in expansive material exploration and construction processes. Through his works, Cantú conducts research into his self-developed concept Sinseñalismo (life without signal), questioning the interrelation between human experience and the outdoors. These projects arise from a formal and personal language through which Cantú generates utopian and dystopian scenarios.
Cantú was a tutor at the AA Beton Machine satellite school. The program took place at Edward James’ surrealist garden in Las Pozas, Xilitla S.P., and served as a platform to investigate the empirical techniques of concrete, as well as to draw connections between the site and the layered history of monumental sculpture in Mexico. Cantú, together with Matos Carlos H. Matos, formed Tezontle in 2016, a collaborative project which produces research-lead work based on an array of aesthetic and historical references. With intensive material experimentation, they have constructed a distinct imagery which refers to a bucolic utopia, at once modernist, pre-Hispanic and primitive.
Through his solo practice, Cantú has participated in several exhibitions and projects such as Tea Ahorita at Studio IMA, CDMX, MX; Retrato de un Artista, PEANA, CDMX, MX; and Por debajo del árbol, PRAXIS, CDMX, MX. His works as part of Tezontle have been exhibited in solo and group exhibitions in places such as Friedman Benda in New York, US; Museo MARCO in Monterrey, MX; LIGA in CDMX, MX; Museo Tamayo in CDMX, MX; Kasmin Gallery, New York, NY and Richart Neutra’s VDL House in Los Angeles, CA. Public works include ‘Tenaza’ a monumental sculpture commissioned by the XIII Havana Biennial in Havana, CU; and ‘Terma El Papelillo’ a sculptural sauna located on the coast of Oaxaca, MX. Tezontle was also shortlisted for the Serpentine Pavilion in London, UK.